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Kristi Yamaguchi and Friends - Phoenix, AZ - Oct. 23, 2009
written by Tina
When it's 88 degrees outside, maybe people don't really think about
going to the ice rink to watch figure skating. The audience at Kristi
Yamaguchi and Friends was quite small - the side sections only were
filled maybe 10 rows back, though the ends went up higher. It was
comprised of an enthusiastic blend of Backstreet Boys fans and figure
skating fans. There was a definite component of the audience - it
seemed at least half - who were there for the Backstreet Boys,
chanting "Backstreet Boys!", holding up signs, cheering, singing
along, and, in many cases, not sparing much of a glance for the
skaters on the ice. However, there were enough skating fans and
skating-appreciative Backstreet Boys fans to cheer enthusiastically
for most of the skaters, and who stuck around for retakes and warmly
gave the skaters their moral support as they attempted to land missed
jumps. The Backstreet Boys themselves seemed to enjoy the skating and
admire the skaters, and got energetically into performing and
interacting with the crowd. Their music is eminently danceable as
well, even if it does stick annoyingly in the head for hours
afterwards.
Act I
Opening - Everybody (Backstreet's Back) - Backstreet Boys and Cast
The show opened with an appropriate Backstreet Boys oldie, what with
the release of a new album for the band. The band was given a bit of
time alone on stage to start the song, before the girls strutted onto
the ice, looking stunning in black sparkly dresses and knee-high red
boots. It wasn't long before the guys joined the girls, skating
around them and then dancing with them (Steven dipped Kristi, etc).
The opening also featured break out bits for the guys, going down the
ice in pairs - Steven Cousins and John Kerr sliding down the ice on
one knee arching backwards, Kurt Browning and Andrei Khvalko doing
simultaneous butterflies (??), Jozef Sabovcik and Michael Weiss doing
spread eagles/freedom blade spread eagles. It also allowed Kristi to
be showcased by being lifted by basically all the guys (she's tiny,
I'm not sure it takes 5 guys to lower her, but it did look neat), and
the pairs to do their thing. It was an energetic opener to start the
show.
I Want It That Way - Yuka Sato & Backstreet Boys
Yuka Sato had disappeared not long into the opening act so she could
go backstage to change into her costume for the first number of the
show. This is THE Backstreet Boys song that gets into my head and
sticks and refuses to get out. There is no denying it's catchy,
though, with quiet moments and bigger climaxes, which lend themselves
well to a skating program. Yuka displayed her simple elegance and
grace, as well as that joy that just exudes from her when she
performs, and she had a nice skate that helped keep the show's
momentum going.
Heaven Can Wait (Meatloaf) - Jozef Sabovcik
It was time to give the Backstreet Boys a bit of a break, as the show
transitioned into a 6 song stretch without the band. The audience
seemed quite willing to transfer their attention and appreciation to
the skaters, though. Jozef earned gasps from the audience with his
giant delayed axel, and cheers with his huge layout backflip. The
audience also appreciated his fast scratch spin, and were sympathetic
when Jozef had an uncharacteristic fall on I think a triple toe by the
stage. Kristi's voiceover introduction of Jozef mentioned that it had
been 25 years since Jozef had won the bronze at the Olympics, which is
hard to believe when you see him out there on the ice.
I've Been Everywhere (Johnny Cash) - Sinead & John Kerr
The audience were primed for entertainment, laughing at Sinead &
John's mimed truck driving antics in the beginning, and their goofy
closing pose. They loved any bit of gender bending lifting - which
happened in both programs, IIRC. Sinead and John tore it up around
the ice, displaying dazzling quick feet, sparkling personalities, and
great charisma in this country number. I'd never seen them skate live
before, and was really impressed.
I'm Yours (Jason Mraz) - Kurt Browning
I have to admit, when I first realized Kurt was skating to "I'm Yours"
for this show, I was a tad bit disappointed because I always like to
see new programs from him. However, a few seconds into the program,
and I was thrilled to have the chance to see it again (not to mention
have it broadcast on US TV). Kurt knows how to get the audience into
the palm of hand from almost the moment he steps onto the ice, and the
audience completely eats it up. This was the best performance of "I'm
Yours" I've seen (I saw it early in the Canadian Stars on Ice tour
this year). It has a lightness and ease and spring to it that just
immediately made you comfortable and completely confident in Kurt out
there on the ice, and he completely justified the confidence.
Beautiful, easy jumps out of nowhere that were landed with perfect
confidence (at least the 3-toe, 3-sal, and 2-axel, I think). Light,
springy feet that just danced fleetly across the ice. Perfectly in
character facial expressions that weren't over the top but invited the
audience right in to have as much fun as Kurt was having on the ice.
All the skaters are tremendously talented, professional, wonderful
skaters, but Kurt's just got that extra spark, that undefinable
something that just says this is a guy born to be out there,
entertaining people on the ice. Kristi's voiceover introduction said
she'd been friends with Kurt for over 20 years, and talked about what
an entertainer he was, which was definitely true this evening.
Halo (Beyonce) - Ekaterina Gordeeva
When Katia initially stepped out on the ice in a beautiful light blue
dress and sparkly jewels at the neck, she seemed too elegant to be
skating to Beyonce. However, Katia's a gorgeous performer on the ice,
and the program just kept building from initial slower, more elegant
moves on the ice to going faster and more powerful as she sped around
the ice and the music built. She's just got gorgeous deep edges which
she uses to give her the sense of just flying across the ice. I'm no
expert in judging difficulty of footwork but, as an audience member,
the effectiveness of her footwork in interpreting the music was
wonderful. It was a beautiful and quite powerful skate. Kristi's
voiceover said that Katia had been her friend for almost 20 years (20
years was a repetitive theme) and that she was the mother to two
beautiful girls (so hard to believe, looking at her, that she's the
mother to a teenage girl) and one of the strongest women Kristi knew.
Atlantic (Keane) - Steven Cousins
The contrast of music in this show was a bit interesting, in that the
Backstreet Boys provided upbeat, danceable, (fairly loud) pop, but
then many of the songs in between were much slower, quieter, and more
subtle. Probably one of the most slow subtle pieces was this song by
Keane that Steven skated to. It sounded vaguely Celtic and mournful -
a beautiful piece of music, if ever so slightly dull in comparison (in
my opinion). Steven interpreted it beautifully, though, skating with
heart and feeling to what I *think* was his own choreography. A
couple wonky jumps marred things just a bit, but ensured we'd be
seeing Steven again for retakes. Kristi's voiceover said that Steven
looked like a heartthrob but that when you got to know him, he was as
beautiful on the inside as he was on the outside. Steven's reaction
when he first heard that in dress rehearsal was comical and very cute.
Total Eclipse of the Heart (Bonnie Tyler/Nikki French) - Elena Leonova & Andrei Khvalko
I wasn't too sure about this pair's decision to incorporate both
versions of Total Eclipse of the Heart in one program (my personal
preference for the Bonnie Tyler original might bias me), especially
since the transition from one to the other isn't entirely smooth, but
the audience seemed to eat it up, cheering when the Nikki French
version came over the loudspeakers. The program itself, though, was
dynamic and exciting, and showcased many of Leonova & Khvalko's
impressive lifts and spins, which definitely drew gasps from the
audience. Their headbanger, in particular, definitely got the crowd
buzzing, and I can see why. I've seen many headbangers as a skating
fan, but Andrei seems like he's just flinging Elena around with
abandon and not much caution, and her head comes incredibly close to
the ice and then goes flying quite high up on the other side of the
spin. Definitely impressive, and doing it quite close to the close of
the program I'm pretty sure is part of the reason they got a partial
standing O.
This is Us - Michael Weiss and Backstreet Boys
I think, given that their new album is entitled "This is Us", that
this is one of the Backstreet Boys' new songs. It seemed like a pretty
decent BSB song, but I do have to confess that I spent quite a while
wondering why they were singing "scissors, scissors, scissors" before
my brain parsed out the "this is us, this is us, this is us". What a
nice song about scissors! Michael was having a good skate to the
song, interpeting it nicely, and getting some good flow on the ice,
when about a minute from the end, he suddenly stopped and started
making a cutting off motion with his hands, before skating off the
ice, mostly on one foot. Turns out that two of the screws on his boot
came loose, and his blade to all intents and purposes for the
usability of the skate, essentially fell off. The Backstreet Boys,
however, completed the song without Michael, so the audience wouldn't
have an abrupt cut off to the performance.
Straight Through My Heart - Kristi Yamaguchi and Backstreet
Boys
Michael's skate mishap resulted in a bit of confusion, but then Kristi
quickly made her way out on the ice to take her place for her one and
only solo number of the night. Especially given that there were no
group numbers except for the opening and closing, it was rather
disappointing that Kristi only skated once in the show. It was
particularly disappointing, because, aside from the fact that she
seems mostly to be doing double jumps now, she still looks fantastic
and skates beautifully, and her DWTS training has only served to
sharpen her moves and choreography. The lyrics to the song let Kristi
do a lot of miming of pointing a finger gun right back at the
Backstreet Boys, which (along with the big grin on her face) tied the
musical performance and the skating performance together. The program
ended with Kristi dancing on the stage with the guys as they
harmonized through the final bars of the song, though it was
inadvertently a bit amusing b/c they harmonized for a while and you
could sort of tell that she didn't quite know what to do with herself
up there after a while. The guys seemed to appreciate her being there,
though, and seemed genuinely admiring of her.
Intermission
Don't Stop Believin' (Glee Cast) - Tracy Tanovich & Michael Chau
Coming back from intermission, the first pair on the ice were the 2009
Junior Pair Champions, who Kristi is mentoring - Tracy Tanovich &
Michael Chau. I was very impressed by these two - skating under the
lights in a big professional show like this, they nevertheless kept
their composure (except for a fall on the throw triple which they
fixed like pros in the retakes) and put on a great performance to
"Don't Stop Believin'" from Glee (which was a good music choice, given
the "Glee! It's Glee!" I heard from around me in the audience).
Michael is a very flexible guy, and the two used that to their
advantage in their choreography, with the two frequently doing side by
side moves and spins that showed off both of their extension and
flexibility. These two seem like they'll have a great future, and are
a pair to keep an eye on.
Quit Playing Games With My Heart - Steven Cousins and Backstreet Boys
The Backstreet Boys then came back on stage for another one of their
hits, with Steven Cousins performing out on the ice. This was a good
mellow rocker and seemed a pretty good fit for Steven, who seemed to
have fun as he skated, despite the fact that he was skating by a
plethora of fans who seemed to have their eyes fixed on the stage,
singing along. The Backstreet Boys definitely seemed impressed by
Steven, yelling out "that boy's got talent" during the dress rehearsal
after this number. It was kind of fun to watch them watch him.
All I Have To Give - Ekaterina Gordeeva & Backstreet Boys
The Backstreet Boys seemed very much admiring of Katia Gordeeva (and
who wouldn't be) when she came out to skate to their next number,
especially after she came up on the stage to mouth the words and bob
alongside the singer (one of the other guys started drifting in that
direction after a while, like, can I get in on this action?). Katia
seemed to draw energy from the band and the crowd, skating with a
wonderfully engaging quality and really getting into the music. There
was a mishap that I'm not entirely sure was fixed in retakes though,
in that it seemed that the version of the song she had learned the
choreography to ended later than the version the boys were performing
on the stage. After she went up on stage to "sing along", she stepped
off the ice to continue performing, doing a long spread eagle as the
song came to a halt, and then seeming rather perplexed why the music
had ended. In retakes, the band came back out to perform the song
again while she skated, but the same thing happened. Eventually they
all just walked off the stage/ice - I'm not sure what resolution they
came to, given that she never really ended the program. Guess we'll
see on TV!
1000 Miles Away (Jewel) - Yuka Sato
I love Yuka and she gave a beautiful performance of this program, but
I couldn't help but feel like Jewel didn't fit in at all to the
evening's proceedings. Things would be pretty dull without variety,
though, so it's probably not a bad thing that she chose this program
to perform. It just was a rather odd contrast from the dynamic
performance before it. Yuka's got those whisper-soft edges, nice
economical feet, and lovely solid jumps, which all helped me to enjoy
a program to a song I didn't particularly feel.
Somebody Like Me (Keith Urban) - Jozef Sabovcik
Jozef Sabovcik is known for doing rock - Meatloaf, Bruce Springsteen,
Iron Maiden. He's not known so much for doing country. But Jozef
Sabovcik does country surprisingly well. There were bits of footwork
and interpretation that were somewhat reminiscent (to my Kurt-centric
brain) of some of the country numbers Kurt has done in the past.
There were big Josef jumps and his trademark backflip. Overall, this
was an enjoyable treat to see Josef try something a little different
so well.
Erin Shore and Auld Lang Syne (Royal Highland Dragon Guards) - Sinead & John Kerr
No doubt about it, many of the ladies in the audience liked to see a
guy in a kilt. I'm told this is one of the Kerrs' signature numbers,
something they're asked to do frequently, and I can see why. The
number is high energy, exciting, and fun, and the Kerrs just sparkle
all the way through it. The Scottish theme (unsurprisingly) fits them
well, and they just draw the whole arena into their performance. It
was really fun to watch.
Butterfly Kisses (Bob Carlisle) - Michael Weiss
Kristi Yamaguchi's intro talked about being friends with Michael for a
long time, and watching him grow into a devoted father of two, and how
this number was dedicated to his daughter Annie Mae, because it was a
favorite of hers. I've seen this program before, and Michael performs
it beautifully, with a lot of emotion and interpretation. I have to
admit though - I can not stand the song and that makes it very
difficult for me to get into the program (the fact that the woman
behind me couldn't stand it and kept saying so, loudly, didn't help
matters). It's a lovely program, though, and the sentiment towards his
daughter is very sweet.
Amazed (Lonestar) - Elena Leonova & Andrei Khvalko
I was impressed with Jozef's country number, but by this point in the
evening, I started wondering about the prevalence of country twang in
this show. I think this was the fourth country-ish song in the show,
the third in this act, and given that there were only 20 programs to
begin with, 20% of them being country seemed a bit unusual. At any
rate, this was L&K's ballady romantic number of the evening, and it
was very nice. Even with their softer programs, though, this pair
really gets the crowd going with their tricks, and this program was no
exception. Another rousing headbanger, and another big response from
the crowd.
Bigger - Kurt Browning and the Backstreet Boys
Amusing quote I heard when Kurt stepped onto the ice after the
Backstreet Boys - the Backstreet Boys fan behind me bemoaning the need
to choose between watching Kurt on the ice and watching her favorite
band on stage - "Aw, I like him! I wanted to watch him!" I wasn't
entirely sure how familiar the crowd was with Kurt before he skated -
he got quite a cheer when he was announced for his first program - but
it was really neat to hear how much the people in the audience around
me liked him after he skated. The song basically talks about how the
girl the singer is skating to is a bigger person than he is (not
size-wise) and is a bit of a slower number. Consequently, it was nice
to see Kurt pull out his softer more romantic side in his
interpretation of the song. Kurt knows how to put a bit of a twist
into usual moves that add to the interpretation of the music - a
series of spread eagles with shifts to his arm and body position,
rather than just a big sweeping spread eagle, different ways of
holding his arms or moving in a way that evoked the music more.
Unfortunately, Kurt had a few bobbles in this program - a jump that
went awry at the end of the ice, which he, in typical Kurt fashion,
covered with some self-deprecating humor, and then something else I
can't quite recall going wrong at the end, which led to Kurt sharing
his disappointment with the crowd at how he came just *this* close to
getting it right. Luckily for the fans, this resulted in Kurt having
to come out for retakes (which I'm Yours definitely didn't
need). Luckily for Kurt, he landed everything first try in the
retakes, though he was teasingly admonished by Lea Ann Miller for
making it so very obvious to the TV audience he'd screwed up, so they
had to retape the whole end of the program to change that.
Finale - Larger than Life - Cast and Backstreet Boys
The finale provided a bit of a counterpoint to the opening - this time
four of the guys (John, Steven, Jozef, and Michael) came out first,
dancing down the ice before Sinead joined them, taking a turn around
the ice with each guy until she reached John and they broke off to do
their highlighted bit. The two pairs (including Tracy and Mike, who
picked up the group choreography like pros) then came out for
highlighted lifts down the sides of the ice. The group danced to the
music for a while, and then Kristi, Katia, and Yuka came out together,
doing side by side spirals down the ice that were really lovely, and
then each doing a different move back up the ice towards the stage.
At this point, Kurt joined them, slapping hands with Kristi and then
moving off to do some dynamic, fast, high-energy footwork around the
periphery of the rink while Kristi spun in the middle and the rest of
the skaters circled around her. He skated into the middle, spun her
around, and then the group danced down the ice back towards the stage
before finally going into a final pose, with Kristi lifted high.
Overall, it was a fun closing number - high energy and dynamic, with
the skaters really seeming to enjoy the music and the performance.
After the final bows, it was time to regroup for retakes. Lea Ann
Miller's voice of God over the loudspeakers provided some of the
context and amusement for the audience, while the Backstreet Boys also
did their part to engage with and keep the audience interested while
they set things up and Katia ran backstage to change as fast as she
could for the first retake. There were a LOT of retakes - virtually
every skater had something they had to redo - but almost all of them
went by really smoothly. There was the aforementioned confusion about
the end of Katia's program whose resolution is still unclear to me,
but otherwise, almost everyone landed their missed jump on the first
try. When they didn't, the crowd was there to support them, and
cheered wildly when they did land it. Poor Kristi had a more prolonged
retake since she first started to try to redo it when they weren't
ready, and then she missed the jump, and then when she went to redo it
again, they had to change the tape. She took it all in good humor,
though, and kept the audience laughing and supportive. When Kurt came
out, he did a quick set of humorous stretches and runner starting
poses on the ice that got the audience laughing, and when he finished
his retake of his jump (beautiful on the first try) and got enough
choreography out of the way for the take, he threw his arms up in a
hilarious victory gesture which really got the audience laughing. He
then seemed a bit confused as to where his next retake needed to be
and what needed to be done, which is when Lea Ann came on to ask him
to redo his last spin and closing pose and bows since he'd made it so
very clear he'd screwed up during his performance, and the TV audience
at home wasn't to know. Though the audience here KNEW EVERYTHING. I
was impressed at how quickly Tracy and Michael figured out the retake
routine, from walking through the lifts they didn't need to do,
picking up the part of music they neded to start performing through,
and then nailing the retake. What was interesting was that a number
of retakes were done without music - especially the ones that required
the band, like Michael finishing the entire last minute of his program
with a fixed skate. Makes you wonder how the skaters time things when
there's no music to be heard. Unlike some of the other shows, the
Backstreet Boys didn't do any songs without the skaters, and no
encores, but they seemed so interested in watching the skaters and
willing to re-sing numbers where they were needed, that it was neat to
see. It's always great when the musical act seems very engaged with
the skating and so happy to perform. They didn't really seem to want
to leave the stage either!
Overall, I enjoyed Kristi's show quite a lot this year. I wish they
would do more group numbers in these Disson shows, though I realize
they lack the rehearsal time to really get them right. It was a good
group of skaters, though, a really engaged musical act, and a night of
great skating. Not much more you can ask for there! The show airs
Nov. 1 from 4-6PM ET/1-3PM PT, and it's definitely worth tuning
into.
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